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Jan
24
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- Flowers 01
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- Flowers 02
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- Flowers 03
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- Flowers 04
Still life photography is such a great pursuit between things – especially, when a series reveals itself right in front of you. I seem to end up collecting and keeping vessels of dried flowers at home and at the studio. Still can’t bring myself to throw them all away – just yet. With this series of images the plan was to photograph the still life sets as dark as possible – for a dramatic effect, and still be able to see the subtlety of form and tone.
Nov
19
Time lapse from dawn ’til dusk in the Historic Roebling Wire Works building in Trenton, NJ. I was asked by the Director of the Trenton Punk Rock Flea Market if I would be interested to make a time lapse of the event. At the site visit we settled on the best location for the camera to have the view be interesting. Since architecture is a such a feature in this building we framed the shot to be 2/3 rds architecture, and the lower 1/3 where the action would be.
One of my favorite parts about this time lapse is seeing the light, how it moves, how it changes color. There are quite a few unknown variables in projects like this, and sometimes, the unexpected results are more than you can imagine will be recorded.
SPECS. Time lapse was recorded on Saturday November 9th, 2013. trentonpunkrockfleamarket.com – We set the camera to take a shot every 30 seconds, from about 7:00 am until about 7:00 pm. This timeline translates into approximately 1600 images. Here was my starting point with the basic calculation. One shot every 30 seconds X 10 hours = 1200 images (divided by 12 frames a second) = one minute 40 secs – or thereabouts. (I think I got that right).
Oct
25
JZA+D is the Princeton based architecture firm, Joshua Zinder Architecture and Design. Both Josh and Marlyn Z., (Partner and Director of Interior Design) brought so much creativity to the table. We did a series of traditional staff portraits on white seamless, and this series we called ‘IN SPACES’. During the shoot we’d zoom around the building’s industrial hallways and rooms to produce a set of natural and available light portraits for all the staff.
It felt like we were working with a group of models for a fashion shoot. Everyone was so patient and cool to work with. I’m really pleased with this set. This series illustrates that a group of staff portraits can be different, perhaps they always should be.
Hair and make-up by the talented Dwayne Dunlevy.
Oct
21
I’m always thrilled when Zanya Spa Salon calls for a photo session. They are so organized – down to the most minute of details. Everyone on set works so hard and is an absolute perfectionist – constantly reviewing and editing as we build and work to create the images they like. That said, there is a massive amount of room for creativity the entire time – we try poses, styles, lighting changes until we feel we’ve done everything possible in the amount of time we have.
The final edit for the client is for their Blow Dry Bar, their clients can pick from a number of blow dry styles. We also did a series of make up looks. The edit posted here is very different to the client edit. The client edit was in color and the series matched. These few images, I worked with in black and white – there was just something about them that I liked.
Hair and make up credit: Zanya Spa Salon, Lambertville, NJ
Aug
28
Senior Portraits, Trenton Central High School, Trenton NJ. The students pictured are leading a campaign with NJ Assemblyman Reed Gusciora to raise awareness about the dilapidated state of Trenton Central High School. I was invited to photograph students in the conditions where they are expected to learn every day and decided to stage Senior Portraits like no other. The place is frightening – condemned rooms, ceilings falling down, and rain water leaking in and collecting into stagnant, ignored puddles. It’s hard to believe this is 2013 in America, and that students, teachers, and administrators work in this toxic environment on a daily basis.
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- Jada
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- Seven
Aug
01
Random Acts of Splatness is series I’ve enjoyed collecting. Mediums include paint, oil, coffee, berry sodas – and things I have no idea what they might be. These accidental action paintings are typically discovered around convenience stores, and some city side walks as well. Once you start looking out for them, they are hidden in plain sight like so many things.
I think many artists and photographers become custodians of particular subject that interests them in their personal work. They collect, arrange and organize their collections to make sense of it – if they don’t already know why they are doing it, and what it may mean to them.
What comes to my mind when the evidence of a splat is left behind is – how did that happen? was someone clumsy, distracted, or bumped into and lost their balance, or did that brimming 48 ounce slush master just become to slippy to handle. Accidents happen or is it the spirit of the road commanding a libation.
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- Angel Heart
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- Fish Splat
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- Hand Out
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- Dark Heart
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- Berry Crime Scene
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- Sea Creature
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- Ink Bomber
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- Action Splat
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- Happy Like the Sun
Jul
15
Dangerous Blossoms was an art exhibition at the DR Greenway Land Trust in Princeton NJ. The concept of the show was to display invasive and poisonous plants – I really loved the idea and was thrilled to be asked to participate. I re-worked the poppy series I began a while ago. This time I think I did a better job with the process.
This series titled ‘Kaleidoscopic Poppies’ is a study in simple flower photography and digital manipulation to create patterns from the base image. The same image, mirrored and folded digitally multiple times produces designs as if seen through a kaleidoscope. I always loved the colors and twisted wiggly stems of poppies. I set out to create my own set, but with a twist – and came up with some fun titles as well.
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- Extraverted
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- Introverted
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- Be A Wall Flower
One of things I really liked about this project, in particular the ‘Be A Wall Flower’ image was the idea to challenge traditional composition. The flower image is cropped intentionally to grow out of the right side of the frame. When I did that, it made me feel like I’d been a bit square and ordinary with previous compositions. Glad I learned that!
Jun
23
Something told me that I really needed a Beauty Dish for a certain type of portrait photography – which is simply a 22″ white pan reflector that fits most strobe heads. The dish generates a natural reflection in the eyes of your subject making it ideal for portraiture – you can see the round reflection in the model’s eyes. That said, it’s not as easy as it may seem, taking a portrait with only one light – I have seen tutorials where the model holds a reflector to bounce the light up and soften shadows under the chin. The light goes quite high up on a stand and right against the wall, a diffuser makes the light less harsh, an effect I prefer. Without the diffuser, the images have much more contrast. I decided to push the contrast afterwards, but with the diffused light.
I intentionally moved the camera with a slightly slow shutter, about 1/20 or 1/30 to achieve a softer look. There’s an example of an image or two that is sharper. Diana was very patient while I fussed about with the light and camera settings. We had a bunch of pussy willow branches in the studio, which turned out to be an interesting element for Diana to hold, to add to the story of the image and perhaps make it more atmospheric than a straight forward portrait. I’ve often felt that a beautiful photo doesn’t have to be sharp or in focus [and – this isn’t an excuse] it’s just that there seems to be more romance in the softer images. Try explaining that to the editors I work with.
Some of the images remind me of 4AD record cover designs (This Mortal Coil), a look I always loved by photographer Nigel Grierson and the designers at 23 Envelope.
Jun
13
Painting with light is one of those fun photography experiments to play with. I’ve been collecting all sorts of light devices to see which ones create what type of effect. Abstracts are so much easier than writing letters – at least at the moment. I do want to capture calligraphic characters though. What I do find interesting is that you do create a unique light painting with your motions and gestures, it cannot be re-created. The settings can range from a 20 to 30 second exposure, f/22 at iso 100.
May
12
For nearly a year now a friend (and bicycle engineer) and I had this idea to mount a tripod post onto a tricycle. The plan was try all sorts of experimental photography from the bike. This first set is a series of 20-30 second exposures of some of the streets in Trenton at night. Some of the light patterns remind me of what you might see on an EKG monitor. The wiggly light patterns make me think we are seeing the streets’ energy – captured on camera.
It’s early days yet, we have a lot more experimental photography to try. Riding the bike in a circle or figure eight pattern seemed to yield my favorite results, the plaza where we recorded these was the smoothest to ride on as well. We have a lot of video ideas to try – can’t wait to really explore this.
The tricycle and a few prints were on display in the art exhibition titled ‘Unchained – the Art of the Bicycle‘ at Artworks in Trenton, NJ. Special thanks to Wills Kinsley, the bike engineer and guest curator for this exhibition. Wills also run Social Bike Rides around the city – tours of public art, history and gardens. Look up Trenton Social, the restaurant and bar where the rides start and finish – sign up, ride on.
