PROJECT

STAR WARS AT HOME

I saw the film Star Wars when it first came out. My mum dropped me at the cinema in Bedford, I was seven years old. As a kid that film was the best thing that happened. I collected the action figures one by one. Twenty years later I had this idea to create Star Wars At Home – combining the message of good vs evil through mundane acts of domesticity. My friend, as model was a trooper – totally game for all these sets.

Both Gregory Crewdson and Jeff Wall were in mind during the development of these idea.

POPI DISTORTO

After exploring a rather pedestrian documentation of poppies I decided to take the route of distortion. These images have not been digitally altered. This is most certainly a ‘stumble upon’ discovery – and, has yet to be explored further. This is also the first project in a while where I’m going to be stingy about revealing process. I have worked with this theory before exploring the realms and high-low. Can’t go too much further until I order more poppies.

nest

The Architects

nestnestnest

 

 

 

 

 

I’ve been collecting nests for a few years. I’ve had several bird houses that been designed to remove the nest, since some birds won’t use another bird’s nest. Often I find them the in park after a windy day.

OK. I’ll admit that what is pictured is a rather lame display of my collection. I promise to document to entire collection. And, out of three praying mantis nests that I had for years (presumed dead) one hatched in my living room. About fifty praying mantis’ had to be relocated rather quickly. So hopefully there will be an abundance of praying mantis in Titusville, NJ this year. I’ll take a photo of the nest that was live as well.

Bull Terrier

Luxury Item

Lux is my Bull Terrier. What a great and loyal pet she is. Early in the mid-19th century the breed was developed to satisfy the needs for vermin control and animal-based blood sports. Since that was idea was swiftly outlawed, the breed fell out of fashion. Only to be reintroduced later as a men’s fashion accessory.

This bit is taken from Wikipedia: The epithet “White Cavalier”, harking back to an age of chivalry, was bestowed on a breed which while never seeking to start a fight was well able to finish one, while socialising well with its “pack”, including children and pups. Hinks himself had always aimed at a “gentleman’s companion” dog rather than a pit-fighter—though Bullies were often entered in the pits, with some success. Today the Bullie is valued as a comical, mischievous, imaginative and intelligent (problem-solving) but stubborn house pet suitable for experienced owners.

Table Manners

Table Manners

I work with a lot of restaurants in the area – and as you’d expect, they like to show everything as perfect and possible – neat and tidy. Well that’s not how it is – many restaurants are chaos, a revolving door of transient staff, professional servers between jobs or about to back to school. I was a waiter once – and a bad one at that. Have to admit I didn’t care if the customer was happy or not, all I did was bring a plate from the kitchen – everything else was out of my control.

So these sketches are after the dinner – what was left.
Just a simple still life – that’s created every evening, in every restaurant, in every city.
A reminder of how much I hated being a waiter – with the exception of my shift meal.

Mega Flora

MegaFlora

Mega Flora

Mega Flora

Kaleidoscope idea with mirroring the image. Nobody does this better than the sculptor and photographer, Rory Mahon. I’ve seen a broad edit of his images many years ago – each image as good as the next. When you get up close to these images, you mind manages to find faces, animal heads – just for starters. There’s definitely a baboon in this one between the yellow center of the white flowers.

flat can

Obsession


Waste and brands has been common fodder among artists for years. The iconography is recognizable on the surface level forging an immediate connection. Brand colors, type and logos are buried deep in our sub-conscious from childhood. Advertisers and marketeers have marked data to identify impressionable years to the point that if a brand is selected by age seven, it is unlikely the consumer will change. Obviously, we can attribute these decisions to our parents and even grand parents until we are at an age to decide.

We see hundreds of brands a day, in full form in super markets, in our homes, on television and in films. It is unusual to see brands in a distorted or demolished state unless the brand has become waste. It is not the culture of brands to be seen in a state of disrepair.

Documenting found objects did not lend much appeal until I saw three flat cans next to each other in a parking lot in Trenton, NJ. I picked them up and brought them home. The cans waited in a photographers’ developing tray for weeks. I decided to take a few prints off them, inking them up and then pressing the paper onto the form. The results seemed somewhat academic even in multiplicity. On a whim, I decided to photograph a few to see how they would translate. I really liked what I saw. It was simple, pop-like and stark. Some of the cans resembled realist paintings rather than photographs, which raised the visual value to me.

Over the next few months I collected flat cans where ever I would see them. Some I would clean, others I’d leave if I liked how the dirt looked – they were easy to come by once I started looking. Finding the cans became the process in this series, as I would have no way of knowing where I might fine one. It would have to happen to be in the same place I was, in and around city or town street sweeping schedules. I never went in search of the flat cans, I only found them on my travels.

Flat can data became evident when collecting in areas with different socio-economic backgrounds. More often than not I’d find inexpensive beer and red bull cans in Trenton, and seltzer or juice cans in Princeton.

There are automatic comparisons to other artists’ with the ‘Flat Cans’ series. The Pop Art pieces by Andy Warhol, most notably the Campbell’s Soup Can (1962), and ‘Camel Cigarette Pack’ by Irving Penn (1975). It is a popular practice to document or re-contexualize what is culturally current and visible in the immediate environment. I am pleased that ‘Flat Cans’ has become an unintended combination of the two.

Flower

Flower

Irving Penn, one of the greatest studio photographers is naturally an influence. He has a series of poppy photographs that are stunning. I’ve always wanted to make my own version – and these first few are what I’d call sketches as I work out the series. I’ve had a collection of antique glass bottles from bottling companies in the area, New Hope PA, Trenton NJ, and Philadelphia PA. Finally finding a way to use them to hold up dry flowers for the shot. My mum periodically buys flowers from a farmer across from where they live – they sit out on an old card table in mason jars. Every now and then when I visit she buys me a flower jar too. It’s my favorite gift.

I think it’s refraction of light that I’m interested in capturing – but, minimal to the overall image.

 

 

Botanika Metallika

Series of scans from my old Agfa DuoScan T1200 – can’t believe it still works. Been saving bits of plant material and scanning at the absolute maximum capacity of everything possible with this old scanner. I have customized a lot of settings. I like this scanner now it’s old. I did a few test prints on metallic stock – seems to be the way to go, hence the ‘Metallika’ in the title. I definitely wanted the plant material to a bit ‘rock n roll’ or edgy – Gothic even. Certainly the images reference Karl Blossfeldt’s macro photography.

The Alchemicst from Alchemical Projects wrote this about the project:

Wilkinson, who relocated from Britain to America many years ago, creates photographs which convey a British interest in craft and nature, combined with the uniquely American objectification of beauty. His Botanika series of close-up still life color images of flora and fauna display a Robert Mapplethorpe-like formalism which, in isolating his subjects, sweep away old associations and force the contemporary viewer to experience them in the present, as they actually exist in nature.

 

bunny rabbit

Bunny Rabbit

 

I found some slide sheets of negatives from 15 years ago! When I saw the bunny peering out of the box I had to scan the negative and make a print. I printed the image in sections, like my own version of a Doug and Mike Starn print – the best process photographers of all time.

There is an amazing quality with film, different to digital images. There’s a softness to the overall image quality, as well as a density to the tones.

So, the bunny didn’t live that long, it became ill soon after being rescued. He had a loving home to live out his days though.